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DVD REVIEW . Delinquent Girl Boss: Blossoming Night Dreams

dreamlogic.net's DVD REVIEW . Delinquent Girl Boss: Blossoming Night DreamsDelinquent Girl Boss: Worthless to Confess was easily my favorite film of Panik House’s Pinky Violence collection, so when I heard that Exploitation Digital was releasing Blossoming Night Dreams (aka: Zubekô banchô: yume wa yoru hiraku), you could say I was fairly excited.

The first film in the Delinquent Girl Boss series, Blossoming Night Dreams sees Rika (Reiko Oshida) as a freshly graduated reform school delinquent. After a brief introductory sequence on campus, we flash forward to the outside world, Rika having been released and allowed a chance at the straight and narrow, with a respectable job and a wholesome new image. But try as she might, her past still haunts her. After a series of misunderstandings and accusations involving her dry-cleaner employer, Rika moves on to work as a hostess in a local club, which just so happens to employ a good number of reform school grads. But when gangsters threaten the club’s mama-san Rika launches into action with her girl-squad in tow. When the dust settles, she might not be able to avoid a trip back behind bars, but at least she’ll have had the last laugh.

First and foremost there are the issues of presentation. Kazuhiko Yamaguchi’s direction dreamlogic.net's DVD REVIEW . Delinquent Girl Boss: Blossoming Night Dreamsis largely lacking — lazy even. Framing is something of a hit and miss affair, with as many curiously amateurish centered shots as there are standard, run-of-the-mill compositions. Some interesting camera movements do spice it up, however, as exhibited in the opening shot which appears to depict a woman preparing for her wedding, only to zoom out, revealing a delinquent school educational demonstration. Unlike the stunning swordplay of the series fourth film, Blossoming Night Dreams’s end fight seems almost completely improvised, and while fun, it fails to provide any real sense of danger or satisfactory vengeance. It is worth noting that this was Yamaguchi’s first film, and his skills did improve with time, but the lack of artistry is somewhat surprising for a Pinky Violence film, at least given the quality of other titles released in America.

Still, Blossoming Night Dreams’s tongue in cheek attitude works toward its advantage, providing a fair amount of laughs and good natured setups to supplement the action. It’s good deal more straightforward than the later, ultra dramatic Worthless to Confess, far more in line with an action/comedy manga adaptation. The film has more than its fair share of panty-shots and lecherous old men, but it’s more in line with ribald Benny Hill style fun than any sort of leering sleaze. The fights too, while not as well choreographed as those found in subsequent films, are at least entertaining. The first wash-room bath fight, and the later field-fight (both involving the same combatants) stand out in particular as decent rough and tumble fun.

In the acting corner, Reiko Oshida is great as the nonchalant girl boss. She’s all big eyes dreamlogic.net's DVD REVIEW . Delinquent Girl Boss: Blossoming Night Dreamsand smiles, a slouching amazon with a chill-out attitude. She’s not so much a miscreant as a young woman with a stong sense of self, and an even stronger integrity. I would have to say it is largely because of her fresh face and charming attitude that the series was allowed subsequent entries. The other girls aren’t half bad either, but most are reduced to caricatures rather than any real fleshed out humans (Even so, the transexual gang member stands out as particularly hilarious). Fans of these types of films will also enjoy an appearance by Golden Half, performing their same hit (and seemingly in the same club) as in Stray Cat Rock: Sex Hunter.

So, all in all, Blossoming Night Dreams may not be as good as its successors, but it still a fun film. For people who wondered how Rika’s story started, after seeing Worthless to Confess, now’s your chance to find out. At the very least I hope Exploitation Digital releases one more of these.

The DVD.
Exploitation Digital’s DVD release of Blossoming Night Dreams is about as bare bones as it could get. Presented in its original aspect ratio and Japanese mono language track, the film has received something of an uneven restoration. At times the colors pop, dreamlogic.net's DVD REVIEW . Delinquent Girl Boss: Blossoming Night Dreamsimpressively crisp and clean, while at others they prove muddy, looking almost like an early-DVD laserdisc transfer. Subtitles are fairly good, though the opening song is curiously missing a translation (all other songs are translated however).

In the extras department the DVD contains the original trailer for Delinquent Girl Boss: Blossoming Night Dreams, as well as for other Exploitation Digital releases, including Rika 3 and Yellow Emanuelle (the other two aren’t even remotely related to Asian cinema). That’s it.

At an MSRP of $29.99, the disc seems a little expensive given current offerings by other companies, but I know for a fact this can be had for under $20 at local Best Buy stores.

All in all, this being a particularly niche title, Delinquent Girl Boss: Blossoming Night Dreams is a recommended purchase for collectors of Japanese cult films and fans of the Delinquent Girl Boss series. While a bit of a poor DVD treatment, at least someone took the time to release the film in the United States. If you pick it up, just make sure you don’t pay too much.

About the Author

dreamlogic.net -- CHRIS NELSON

Chris Nelson has been a film fanatic since age six. A former film and English major, he is now a Software Engineer and contract Technical Writer living in the Silicon Valley.

 

  1. as far as i can tell, in comparison to those labels that most regularly get good press, MB releases are to be found (even when discounted) for around £3 / $6 more online (in stores?) that the fairly average £7 / $14 of noshame, discotek, blue underground (in non-reissue mode) and synapse…

    still, i’ve preordered this, and considering the release date has passed (i think) the only people managing to talk about this film are a lucky few who found it in shops or those who got a free copy. preorders don’t seem to be shipping out.

    as for the poor dvd quality, is this because of the barebonesness of it all? i really got angry at how poor the RICA disc(s) were… still, only bought the first one, but at that price i’d expect a LOT better - they usually manage it!

    logboy on February 4, 2008
  2. Well, the complaints here are the spotty transfer (it’s worth noting my screenshots have had their contrast and brightness tweaked in photoshop), some small issues with the subtitles, and the general dumping of the title on the disc (filmographies are becoming standard offerings for these types of films, and while MB hasn’t necessarily provided those in the past, it would seem the least they could do to spice up the extras). Audio is decent though. Luckily I was given this as a present for my birthday. I’ve spoken with a few other webmasters, and it appears Media Blasters has been providing far fewer screener discs to niche sites these days. A shame, as the more general big-name sites may not have an appreciation for the genres MB are promoting, and therefore not be as receptive to the films or even share the same targeted audience as the niche sites. But oh well. Times are tough in the Japanese cult DVD market these days.

    But hey, at least the film was released. Quality aside, it’s a decent bit of cheeky fun. Like I said, if you can find it cheap, and are a fan, it’s probably worth a pickup.

    I haven’t actually picked up the Rica DVDs (they’re a little too expensive for the offering), but given what you’ve said, I guess it’s best that I’ve held out. How’s the film itself though?

    Chris Nelson on February 4, 2008
  3. “bonus features : interactive menus”. doesn’t wash now, never did.
    i mean, filmography and biography?! IMDB and Wikipedia, please.

    as for MB supplying review copies, during my time at twitch we’d get some
    MB stuff, but it was patchy at best and seemed to be more about “we’ve some left lying around, you can have ‘em, stop them cluttering the office…” more than i ever got a sense of “it’s important to promoted niche titles through good, dedicated, niche film websites”. idiots.

    …this is part of the reason things are tough these days… forget passing it off on general downturn in the economy, think more “what are trailers?!… you mean people find them useful? and they want the films they’re interested in?!… blimey!… and decent discs, decent prices?!”… well, yes, all those things are perfectly possible, as has been regularly proven, but many companies will still deny it.

    i’ve ordered this disc long ago, despite the experience i had with buying the first RICA disc. that one lasted all of 5 minutes in my player before it was BINNED.
    that doesn’t happen often, but given companies ability to talk around things, i doubt they’d be up for an argument on a refund.

    logboy on February 5, 2008
  4. Well, that’s just the thing. These films are so niche, IMDB and Wikipedia usually only have spotty info at best. There’s a whole post on OutcastCinema regarding fixing erroneous or missing info in the IMDB. Most of the information they have are for films released in some form in the US and the UK. For the Panik House and Synapse releases, they at least had bios and filmographies assembled by Chris D.

    But yes, the old Panik House releases were cheaper, with better quality, more supplemental information, and just overall more interest in their production than these discs. Still, the film itself is pretty good. Again, at least they put it out there. Maybe eventually we’ll get someone that takes notice and decides to re-release them in better quality versions, much like the multiple versions of Sister Street Fighter there are out there at the moment.

    Chris Nelson on February 5, 2008
  5. i just think the “at least we get to see it” potentially settles for less than is possible. there are plenty of films i’d be glad to simply see, but if there’s an actual appearance of a film, it’s gone beyond hope and into reality, and when the reality of an upcoming release is set in place, it should be done as well as possible. anything less, although a shame and something to move on from, erodes aspects which allow for the whole scene to be simply keeping it’s head above water. lots of these films will also likely fall by the wayside once their dvd appearances happen, and potentially not get picked out in a future generation, and in part that may be due to how well it was handled, appreciated and purchased by the public last time around. like i say, all aspects of how things could (or should) be handled are proven across many companies, but few get a great many or all of the aspects right.

    logboy on February 6, 2008

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